Film as a subversive art /
Amos Vogel.
| Main Creator: | |
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| Summary: | Introduces in text and illustrations, the physical characteristics, habits, and natural environment of the otter. |
| Format: | Book |
| Language: | English |
| Published / Created: |
New York :
Random House,
[1974]
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| Subjects: | |
| Notes: | Includes bibliographical references (pages 329-331) and index. Physical description: 336 pages : illustrations ; 26 cm more |
| ISBN: | 0394490789 9780394490786 |
| LEADER | 03262cam a2200397 i 4500 | ||
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| 100 | 1 | |a Vogel, Amos. | |
| 245 | 1 | 0 | |a Film as a subversive art / |c Amos Vogel. |
| 260 | |a New York : |b Random House, |c [1974] | ||
| 300 | |a 336 pages : |b illustrations ; |c 26 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 329-331) and index. | ||
| 505 | 0 | |a The film experience -- The world view of subversive cinema -- pt. 1. Weapons of subversion : the subversion of form. The revolutionary film avant-garde in Soviet Russia -- Aesthetic rebels and rebellious clowns. Expressionism: the cinema of unrest ; Surrealism: the cinema of shock ; Dada and Pop: anti-art? ; The comic tradition -- The destruction of time and space -- The destruction of plot and narrative -- The assault on montage -- The triumph and death of the moving camera. The camera moves ; Minimal cinema -- The devaluation of language -- Straining towards the limits. The elimination of reality ; The subversion of illusion ; The elimination of the image ; The elimination of the screen ; The elimination of the camera ; The elimination of the artist -- pt. 2. Weapons of subversion : the subversion of content. International left and revolutionary cinema. The West: rebels, Maoists, and the new Goddard ; Subversion in Eastern Europe: Aesopian metaphors ; The Third World: a new cinema ; East Germany : against the West -- The terrible poetry of Nazi cinema -- Secrets and revelations --Pt. 3. Weapons of subversion : forbidden subjects of the cinema. The power of the visual taboo -- The attack on puritanism : nudity -- The end of sexual taboos : erotic and pornographic cinema -- The end of sexual taboos : homosexuality and other variants -- The first mystery : birth -- The ultimate secret : death. Death ; Concentration camps -- The attack on God : blasphemy and anti-clericalism -- Trance and witchcraft -- pt. 4. Towards a new consciousness. Counterculture and avant-garde -- The subversion of subversion -- The eternal subversion. | |
| 520 | |a Introduces in text and illustrations, the physical characteristics, habits, and natural environment of the otter. | ||
| 650 | 0 | |a Motion pictures. | |
| 650 | 1 | |a Otters. | |
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