Mr. Barry Sullivan

From a Photo. by Elliot & Fry. ; Maclure, MacDonald & Co. Litho., Glasgow.
[graphic] /
Bibliographic Details
Main Creator: Maclure & Macdonald, (fl. 1840-1890), lithographers.
Contributors: Joly, Jaspar Robert, 1819-1892, donor
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Summary:Barry Sullivan (1821-1891), actor ; head and shoulders, looking slightly to right ; rectangular frame.
Format: Prints & Drawings
Language:English
Published / Created: Glasgow : Maclure, Macdonald & Co., [s.d.].
Subjects:
Notes:Title printed lower centre, below image.

Additional information about this photograph is available on the National Library of Ireland's Flickr Commons photostream http://www.flickr.com/photos/nlireland/53627965402/

Physical description: 1 print : lithograph ; image 29.2 x 22.5 cm., sheet 36.2 x25.6 cm., cropped within plate mark.

Citations/References: Catalogue of Engraved Irish Portraits and Original Drawings / Rosalind M. Elmes. - Dublin : Stationery Office, [1938], p. 195.

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Credits:Lithograph attributed to Maclure, Macdonald & Co. lithographers, Glasgow (fl. 1840-1890), from a photo by Elliot & Fry.
A "Lithograph" image of Mr. Barry Sullivan is today's post. It appears that he was an actor in the 1800s, and he certainly was a striking figure if this image is to be believed. Just looking up the definition of "Lithograph" makes for interesting reading in itself!
Photographer: Elliott & Fry
Date: 1840-1890
You can also view this image, and many thousands of others, on the NLI’s catalogue at catalogue.nli.ie

Comments

suckindeesel
[https://flic.kr/p/7dg1Yc] via Newcastle Libraries
Posted: 03.04.2024  
 
John Spooner
Never mind what play was being performed, the theatre promoters knew that the name of Barry Sullivan would attract a full house. Bradford Review - Saturday 24 November 1866 Bradford Review - Saturday 24 November 1866
Posted: 03.04.2024  
 
suckindeesel
[https://flic.kr/p/2pH37rZ] digitalcollections.nypl.org/items/510d47dd-fa7e-a3d9-e040...
Posted: 03.04.2024  
 
ɹǝqɯoɔɥɔɐǝq
Barry Sullivan (christened Thomas Barry Sullivan; 5 July 1821 – 3 May 1891) " ... Sullivan was five feet nine inches (175 cm) tall[2] and had a wiry, slight figure which allowed him to play younger parts when he was middle-aged.[1] For a long period Sullivan was one of the finest actors of his period, though at times inclined to err on the robust side.[2] In Melbourne Sullivan's death resulted in lengthy obituaries; he was remembered as an actor and manager of 'more than ordinary talent, combined with considerable force of character, great tenacity of purpose, untiring industry, and a dogged application to the business of his profession'." See - en.wikipedia.org/wiki/Barry_Sullivan_(English_actor)
Posted: 03.04.2024  
 
John Spooner
There was no end to his talent and versatility. An anecdote recounted in the Tatler on Wednesday 21 September 1927:
Mr. Barry Sullivan, one of our great actors of old days, was appearing as Hamlet at Portsmouth. The audience consisted mainly of sailors, who were out for a good time. When Barry Sullivan was about to commence the famous soliloquy "To be or not to be," the sailors demanded that he should dance the hornpipe for their amusement. Barry tried to talk them down, but one of them shouted "Look here, Barry Are you going to dance as my pals wish or am I to come down on the stage and make yer do it?" So the sedate Hamlet danced a hornpipe and then continued the soliloquy.

Posted: 03.04.2024  
 
National Library of Ireland on The Commons
beachcomber australia Is erring "on the robust side" code for a little hammy, do you think?
Posted: 03.04.2024  
 
ɹǝqɯoɔɥɔɐǝq
[https://www.flickr.com/photos/nlireland] Yes! He is still hamletting ... "After life's fitful fever he sleeps well" Written on his memorial in Glasnevin Cemetery, Dublin via [https://www.flickr.com/photos/davidlev/] [https://www.flickr.com/photos/davidlev/48693553717/]
Posted: 03.04.2024  
 
 
John Spooner
[https://www.flickr.com/photos/nlireland] Plenty of "robustness" in his death scenes, it would seem.
Mr Sullivan not being without merit of a sonorous sort, and in single combats capable of taking a vast deal of killing in such characters as Richard the Third and Macbeth - our galleries, like yours, admiring Kings that die hard
From a letter by the Times correspondent in Melbourne published in the Nottingham Guardian on Thursday 17 December 1863. Do we have a Over-Dramatic Drawn-Out Death Klaxxxxxon?
Posted: 03.04.2024  
 
National Library of Ireland on The Commons
@29809546@N00/ That Klaxon might be overly robust and sonorous!
Posted: 03.04.2024  
 
John Spooner
[https://www.flickr.com/photos/nlireland] www.youtube.com/watch?v=Dqc6yRIHiW0
Posted: 03.04.2024  
 
Swordscookie
Ahooga yerself @29809546@N00/
Posted: 03.04.2024  
 
Carol Maddock
From the Belfast Newsletter, 11 May 1891
FUNERAL OF BARRY SULLIVAN, Dublin, Saturday The remains of Mr. Barry Sullivan were laid to rest in Glasnevin Cemetery this afternoon, in the presence of a large number of his countrymen, who sincerely mourn the eminent tragedian. The remains were brought over to Ireland last evening from Willesden Junction by the train leaving Euston at 6.30 p.m. for interment in Glasnevin to-day. It was expected that the remains of the deceased actor would be conveyed direct from Euston station, but as Willesden Junction is in more direct communication with the Brighton terminus, that route was decided on, to the disappointment of many friends and admirers of the popular actor who assembled at Euston to pay a tribute of respect to his memory. The body arrived this morning at six o'clock at the North Wall, and was shortly afterwards conveyed to the mortuary chapel at the establishment of Messrs. Waller, Denzille Street. It was accompanied from England by Mr. Thomas Amory Sullivan, son of the deceased. Mr. John Amory Sullivan, another son of the great actor, and with whose name Dublin theatre-goers are familiar, was present at the last moments, though a severe attack of influenza prevented him attending the funeral, and be was obliged to remain in England. Considerable confusion was caused owing to the contradictory announcements published during the last couple of days as to the hour at which the interment was to take place. This circumstance probably prevented many persons being present who were desirous of paying a last tribute of respect to a distinguished Irishman. From an early hour a large crowd, which gradually increased as time wore on, assembled at Westland Row, and when the hearse appeared at twelve o'clock the crowd had assumed considerable dimensions. The remains were enclosed in a suite of coffins, the outer shell being of Irish oak, and was literally covered with beautiful wreaths. Perhaps one of the handsomest was that sent by Mr. Michael Gunn, of tbe Gaiety Theatre. It was a white floral cross, consisting of orchids, lilies, and roses, most artistically arranged. Another which was also much admired was that which was deposited by Mr. Benson, who is at present fulfilling an engagement at the Gaiety. After a short delay at the Grosvenor Hotel, where the friends of the deceased have been staying, the funeral started for Glasnevin. Besides the long line of carriages which followed the hearse, a large number of people accompanied the funeral on foot to the cemetery. The route was through Brunswick Street, d'Olier Street, Sackville Street, and on to the North Circular Road. Groups were assembled at different points, who respectfully uncovered as the procession passed. The O'Connell Monument and Nelson's Pillar were availed of by many as excellent coigns of vantage from which to witness the cortege. The windows of the houses were also fully occupied, and at the National League and the National Club the blinds were pulled down. At the cemetery, which was reached about one o'clock, and where a large concourse of people awaited the funeral, the remains were received by Mr. James F. Lombard, J.P. and Alderman Wm. Meagher, J.P., members of the cemeteries commitees, and Mr. O'Connell, superintendent. The coffin was conveyed to the mortuary chapel, where the burial service was read by the Rev. Mr. Coffey, who subsequently officiated at the grave. The last resting place selected for the deceased actor was in the new chapel section, and close to the grave of the late A. M. Sullivan. The service having concluded, all that was mortal of Barry Sullivan was consigned to the earth, and all the people then slowly dispersed. The inscription on the breastplate of the coffin was as follows:— Thomas Barry Sullivan, Born 23rd April, 1824; died 3rd May, 1891. R.I.P.

Posted: 03.04.2024  
 
ɹǝqɯoɔɥɔɐǝq
"PEN AND PENCIL" [2B or not 2B ? That is the question ! ] printed on top, seems to be a magazine published between 1868 and 1908, according to the Research Society for Victorian Periodicals (RSVP). [https://www.flickr.com/photos/johnspooner/] might have the relevant issue in his archive! Or even the NLI ... See - www.literarybonds.org/periodicals/the-pen-and-pencil/
Posted: 03.04.2024  
 
ɹǝqɯoɔɥɔɐǝq
Which makes me think: Toupée or not toupée ? That is the real question ...
Posted: 03.04.2024  
 
John Spooner
[https://www.flickr.com/photos/beachcomberaustralia] It's there, calling itself "an illustrated famiiy newspaper" but only 8 editions covering February and March 1855, and there's no mention of Baz in them.
Posted: 03.04.2024  
 
John Spooner
[https://www.flickr.com/photos/beachcomberaustralia] There seem to have been at least 5 publicataions called Pen and Pencil. There's one from 1853 here: www.ebay.com/itm/375283699135 The February 10th 1855 one in the BNA is Vol 1 no 1. And there's the one on literarybonds.org
Posted: 04.04.2024  
 
ɹǝqɯoɔɥɔɐǝq
[https://www.flickr.com/photos/johnspooner] Yikes!
Posted: 04.04.2024