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Modernism, fashion and interwar women writers /

Vike Martina Plock.
Main Creator: Plock, Vike Martina, author.
Summary:"An unprecedented sartorial revolution occurred at the beginning of the twentieth century when the tight-laced silhouettes of Victorian women gave way to the figure of the flapper. Modernism, Fashion and Interwar Women Writers demonstrates how five female novelists of the interwar period engaged with an emerging fashion discourse that concealed capitalist modernity's economic reliance on mass-manufactured, uniform-looking productions by ostensibly celebrating originality and difference. For Edith Wharton, Jean Rhys, Rosamond Lehmann, Elizabeth Bowen and Virginia Woolf fashion was never just the provider of guidelines on what to wear. Rather, it was an important concern, offering them opportunities to express their opinions about identity politics, about contemporary gender dynamics and about changing conceptions of authorship and literary productivity. By examining their published work and unpublished correspondence, this book investigates how the chosen authors used fashion terminology to discuss the possibilities available to women to express difference and individuality in a world that actually favoured standardised products and collective formations."--
Format: BOOK
Language:English
Published / Created: Edinburgh : Edinburgh University Press, [2017]
Subjects:
Notes:Includes bibliographical references (pages 223-238) and index.

Physical description: ix, 246 pages : illustrations ; 24 cm.

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ISBN:9781474427418
1474427413
9781474427425
1474427421
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505 0 0 |t Novelty and the Market : Edith Wharton --  |t Conformity and Idiosyncrasy : Jean Rhys --  |t Patterns : Rosamond Lehmann --  |t Ties : Elizabeth Bowen --  |t Uniforms and Uniformity : Virginia Woolf. 
520 |a "An unprecedented sartorial revolution occurred at the beginning of the twentieth century when the tight-laced silhouettes of Victorian women gave way to the figure of the flapper. Modernism, Fashion and Interwar Women Writers demonstrates how five female novelists of the interwar period engaged with an emerging fashion discourse that concealed capitalist modernity's economic reliance on mass-manufactured, uniform-looking productions by ostensibly celebrating originality and difference. For Edith Wharton, Jean Rhys, Rosamond Lehmann, Elizabeth Bowen and Virginia Woolf fashion was never just the provider of guidelines on what to wear. Rather, it was an important concern, offering them opportunities to express their opinions about identity politics, about contemporary gender dynamics and about changing conceptions of authorship and literary productivity. By examining their published work and unpublished correspondence, this book investigates how the chosen authors used fashion terminology to discuss the possibilities available to women to express difference and individuality in a world that actually favoured standardised products and collective formations."--  |c Provided by publisher. 
542 |g 2017  |h 20?? 
650 0 |a Clothing and dress in literature. 
650 0 |a English fiction  |x Women authors  |x History and criticism. 
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650 0 |a Modernism (Literature) 
650 0 |a English literature  |x Women authors  |x History and criticism. 
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