The correspondence mainly focuses on letters from Peter Fallon of the Gallery Press and Dillion Johnston of Wake Forest University Press to John Montague (1999). The main topics discussed include: the literary contract; editorial suggestions; royalties; and communications with Adrian Rice of the Abbey Press regarding permission to feature poems from the collection. The file further features correspondence between Montague and the 'New Yorker’ about publishing poems from the collection: “Fairy Fort” and “The Current” (1999). Lastly, there are letters and draft letters between Thomas Dillon Redshaw and Montague about feedback on poems, such as “Looking Glass” and “The Well-Wrought Urn” (2001).